Saturday, February 28, 2009
Tuesday, February 24, 2009
Stage 5; I've started adding some form and detail to the slimy, green seaweed and the mud. I'm working mainly from my field painting and from memory. Sitting for a couple of hours infront of the subject and accutely analysing the colours and forms of seaweed, mud and rocks in order to complete the field painting commits a lot of information to memory that can then be drawn on when executing the finished work. A few digital photos taken at the time help with details that there isn't time to get down in the field.
Sunday, February 22, 2009
Thursday, February 19, 2009
Stage 3; I've finished blocking in the main areas of colour, except for the ducks themselves, and when this is dry I can start painting in some texture, light and detail. At this stage I can stand back and really see if the painting is working.
I'm working from a field painting made on the spot, although I've changed some of the elements around in this studio painting for a more pleasing composition. Sometimes a real life scene will present itself to be painted almost without any changes or editting required, at other times a picture will be the result of certain elements of the landscape rearranged in the artist's mind to evoke the nature of a place or a habitat.
I'm working from a field painting made on the spot, although I've changed some of the elements around in this studio painting for a more pleasing composition. Sometimes a real life scene will present itself to be painted almost without any changes or editting required, at other times a picture will be the result of certain elements of the landscape rearranged in the artist's mind to evoke the nature of a place or a habitat.